(The shank is a 20 th century addition.)

England’s global outlook at the time clearly stemmed from the colonial impulses of Queen Elizabeth I. Wonderful displays of bejewelled necklaces and chains. The Hoard has some exquisite examples of 16th and early 17th century jewellery. We photographed some very interesting and important examples of these gems during our visit to the Museum of London.Polished diamonds initially appeared in Europe in the 1380s.

Because this was buried and lay undisturbed for the better part of 300 years, it survived in the condition that it has. It also underscores the rising significance of the Cheapside district as a trading center. These are a wonderful aid and well worth it to get a closer look at some of the objects on display. Because they resemble the lumps on a toad’s head, wearers believed they offered protection from poison.

Now, nearly a century after the museum’s original exhibit, this new high-tech, interactive multimedia event features all of the known pieces from the hoard. With my passion for travel and professional background in archaeology, I started © Museum of LondonWhat struck me the most about seeing the hoard as it is distributed around the many display cases was the variety of objects it included. Loose gemstones found in the Cheapside Hoard include banded agate, sard, and carnelian, garnet (left), ruby (right), and unusual gem materials such as toadstone (top) and fibrolite (bottom). She contrasts these with jewels of more recent vintage, like one from the Florentine workshops of the Medici.Museum director Sharon Ament describes the pieces from the Cheapside Hoard that have made the most striking impression on her. The pendant is hung from a large pearl, likely from the Persian (Arabian) Gulf, one of the few surviving pearl specimens in the hoard. An antiquities trader and pawnbroker named George Fabian Lawrence (1861–1939; figure 2) had established a shrewd arrangement with demolition workers. We know that almost 60% of the jeweler goldsmiths in London were immigrant craftsmen, and that they traveled.” Whatever the case, the owner of the hoard never reclaimed it.Certainly it was a calamitous time in England. This is definitely an exhibition any visitor to London with even the slightest interest in that city’s past should not miss. Courtesy of the Museum of London; photo by Robert Weldon/GIA. Three views of an enameled gold ring set with a table-cut diamond, an evolutionary cut developed in the mid-1400s. Photos courtesy of the Victoria & Albert Museum (left) and the Museum of London (right).Figure 10. This global snapshot indicates that London’s gem merchants and jewelers enjoyed a wide array of commercial choices. This gold piece with white enamel and Colombian emeralds is thought to be a fan holder. The combination of new technology and this spectacular emerald must have proven irresistible for the watchmaker. The exhibition is a testimony to what we do know about the hoard, the research it has engendered – revealing a lot about craftsmanship and wealth in 16th and early 17th century London – as well as the technical display skills of the staff of the Museum of London. The champlevé style of enameling, where recessed areas are carved into the metal and filled with enamel, at the center of the dial adds to the splendor of the timepiece. A trio of adjoining houses there was scheduled for demolition.In a brick-lined cellar under a chalk floor, the workman cleared the debris and saw what appeared to be a decayed wooden box or casket containing a hidden treasure of several hundred gleaming jewels (Museum of London, 1928). The Cheapside Hoard was uncovered in 1912 by workmen during demolition work at a property in Cheapside, London. Forsyth describes it as a mixture of finished jewels of the latest fashion and design (figure 8), alongside other pieces that may have already been in circulation for centuries. Forsyth said that newspaper accounts from 1914 describe a wooden box or casket. The enameled gold back features a floral motif.
Sadly, the pearls in many have disintegrated – the conservators estimate some 1356 pearls have perished. The late 1400s saw the recutting of point cuts into a new style, the table cut. Just some of the pieces that make up the hoard – which contained finished and unfinished articles, loose gems and a variety of finished jewels. Courtesy of the Museum of London; photos by Robert Weldon/GIA.Figure 20. This small, chipped carnelian intaglio shows the unique heraldic badge of Viscount Stafford. For England, it was a global competition for power with other European countries, particularly Spain (Sinkankas, 1981). The Medici family of Florence commissioned similar cameos, and this likeness suggests the profile of Mary de Medici. A chipped, unassuming carnelian intaglio from the Cheapside Hoard (figure 10) exhibits his newly appointed heraldic badge, narrowing the concealment date between 1640 and the time of the Great Fire of London in 1666. Hazel Forsyth, senior curator of medieval and post-medieval collections at the Museum of London, offered gifted insights into the mysteries that surround the hoard, as well as contagious enthusiasm about its story. In some instances, the video presentation has been used to show how objects were made – as in the case of the pearl pendants (below).


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