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Nanjiani and Zoe Kazan (standing in for Gordon) generate easy, lived-in chemistry and a rooting interest in the relationship, while a second-act appearance by Holly Hunter and Ray Romano as her parents creates a prickly tension that gives way to hard-won affection. Our critic called it “ Crowe and Mr. Bale both do Katie Holmes has expressed her support. If you can track down copies of the Chinese director’s There are still a few Marvel movies roaming the digital prairie, waiting to be shepherded over to Disney+ exclusively. A.O. Our critic praised its “Russell Crowe in the 2007 remake of "3:10 to Yuma. Spike Lee adapts and updates Aristophanes’ “Lysistrata” to the streets of contemporary Chicago in this wildly funny, vividly theatrical mashup of gangland drama, musical comedy and surrealist fantasy. Our critic called it “ Her heroine is Julie (Honor Swinton Byrne, flawless), an idealistic film student who finds herself pulled, time and again, into the orbit of Anthony (Tom Burke), whose roguish charm covers a considerable number of concerning flaws. He suggests they cover one last story, and Hollywood magic ensues. Purists resisted, and some critics scratched their heads. Sidney Lumet was one of the quintessential New York filmmakers, and his best works – including “Serpico,” “Dog Day Afternoon,” “Prince of the City,” and “Network” – captured the humming music of Gotham’s streets like few others. Humphrey Bogart won his first and only Oscar for his role as the gin-soaked roughneck at the helm of the titular vessel; this was also his only on-screen pairing with his fellow icon Katharine Hepburn. "David Byrne of the Talking Heads in Jonathan Demme’s “Stop Making Sense.”Paramount Pictures/Photofest, via Museum of the Moving ImageShirley MacLaine and Jack Lemmon in “The Apartment.”Marlon Brando and Frank Sinatra in “Guys and Dolls.”Sierra McCormick as a switchboard operator in 1950s New Mexico in “The Vast of Night.”From left, Spencer Tracy and Fredric March in “Inherit the Wind.”Nicolas Cage and Elisabeth Shue in “Leaving Las Vegas.”Rod Steiger in a scene from the film “The Pawnbroker.”Michelle Williams, left, and Shirley Henderson in “Meek’s Cutoff.”Juno Temple, left, and Kathryn Hahn in “Afternoon Delight.”Tilda Swinton, left, and Honor Swinton Byrne in “The Souvenir,” from Joanna Hogg.James Stewart and Donna Reed in “It’s a Wonderful Life.”Zhao Shuzhen as Nai Nai and Awkwafina as Billi in “The Farewell.”Shahab Hosseini, left, and Taraneh Alidoosti in “The Salesman.”Katharine Hepburn and Humphrey Bogart in “The African Queen.”Elliott Gould in Robert Altman’s “The Long Goodbye.”Michelle Williams and Casey Affleck in “Manchester by the Sea.”Industrial Light & Magic/Paramount Pictures and Nickelodeon MoviesDiane Keaton and Warren Beatty in a scene from “Reds.”Adam Driver, left, and Channing Tatum in “Logan Lucky.”Cary Grant and Rosalind Russell in “His Girl Friday.”William Holden and Gloria Swanson in “Sunset Boulevard.” Rom-coms don’t often win major awards, but One of the best baseball movies of all time came in the form of Barry Levinson’s 1984 adaptation of Bernard Malamud’s novel of the same name. Like its protagonist, “The Conversation” is most riveting in its quietest moments, though its bold opening sequence — in which Caul attempts to eavesdrop on a whispered conversation in a crowded park — is both brilliant filmmaking and a riveting snapshot of Watergate-era America.

Our critic praised the “remarkable” picture’s “ He also co-wrote it and stars as John Reed, the radical American journalist; Diane Keaton is Louise Bryant, his on-again, off-again lover, with Jack Nicholson, Maureen Stapleton and Paul Sorvino turning up as fellow rabble-rousers. Sergio Leone’s most ambitious and epic work was his 1968 masterpiece.

His Dolemite-style interludes push the premise to its bawdy extremes, but Lee isn’t just playing for laughs. Amazon Prime’s Top 250 Best Free Movies To Watch In Lockdown, According To Rotten Tomatoes Paul Tassi Senior Contributor Opinions expressed by Forbes Contributors are their own. Inception . When Jonathan Demme’s performance film of the Talking Heads opened in 1984, our critic wrote, “’Stop Making Sense’ owes very little to the rock film-making formulas of the past.