On Kawara (b. Japan, 1932 - 2014) was a conceptual artist, best known for his 'Today' series (1966 - 2014), which is considered the longest running performance project in the history of art (more on this project later). Each painting in the Today series simultaneously embodies the micro and macro, the documentary and the conceptual. But I am looking.Harry Thorne is a writer and editor based in London, UK.‘IF THE SNAKE’ shows a world caught in limbo – or hell  A show at Gagosian, London, pairs the pop master with the early twentieth-century eccentric, beloved of DuchampThe photograph from the blaze at Frankfurt’s MMK exposes the fundamental task of every museumA response to the late Greek artist’s survey at Fondazione Prada, VeniceContemplating deep space and ‘cosmic archaeology’, the artist reflects on her fascination with the universe beyond planet EarthTwo concurrent exhibitions in London use mark-making as a way to get at something beyond what we seeThe first in our series of reports from the 2019 Venice Biennale: the National Pavilions in the GiardiniA photograph by Berenice Abbott, and its stubborn refusal to be readThe Hong Kong-born artist showcases the darkly comic potential of cartoon visualsThe Brazilian artist brought food, film, art and love to her social project‘I was 13, with a group of friends, and it was my first time hearing anything so Black and British – and, also, so working class’‘The world certainly wasn’t perfect but that night I didn’t have to contend with an unmadeness’‘Some have mattered more to the living Jalal, others to the dead one indulging in What I know about the moon landing comes from what I’ve read or heard. To mine these dates for potential significance is to trespass on the property of ghosts. BY It gives you an idea of what it is to be alive.I am looking for a single date, within Kawara’s panels, and I have done so for almost 15 years. Museum Dhondt-Dhaenens. On Kawara. When we peer out, we peer in: faces reflected in the glass.The same can be said for art, and few projects visualize this ceaseless process of (self-)exploration more poetically than the seemingly innumerable panels of On Kawara’s ‘Today’ series, which began on 4 January 1966 and continued up to 2014.
Over the course of almost fifty years, Kawara made thousands of paintings for his Today series. Kawara is perhaps best known for the “date paintings” in his Today series (1966-), each of which conforms to one of eight predetermined sizes and features a date in hand-lettered typography painted over a monochromatic background. Knowledge and personal memories of this date, or lack thereof, will evoke different reactions from person to person. Kawara stored each work in a handcrafted box that was lined with that day’s newspaper. Globally? This monumental 20 volume calendar lists dates one million years into the future and one million years into the past. Today Series. 0r do they?Can you answer the following questions? H The elusive conceptualist On Kawara (1932–2014) is represented by two specimens from his famous “Today” series begun in 1966 and conceived to extend for the artist’s lifespan. However, the painting itself is the product of an individual act, rendering an abstract concept (time) into a visual medium. He died in 2014 at the age of 29,771 days. The works, of which … It may not exist. Each painting is, in effect, a monument to a single day. 2, 1972’, ‘Feb. We’re in the midst of a collective, near-global experience that seems likely to be the marker of a new era. While I’m confident the stay at home order won’t last for fifty years (fingers crossed), I don’t know when it will end. It may seem like this approach would feed into the sensation of floating untethered in time. On Kawara (河原 温, Kawara On, December 24, 1932 – July 10, 2014) was a Japanese conceptual artist who lived in New York City from 1965. On Kawara's Reading One Million Years (Past and Future) was presented during the first three months of the 57th Venice Biennale in the Oratorio di San Ludovico, a 16th century church dedicated to the spoken word.. If he didn’t complete a painting before midnight, he destroyed it.
He took part in many solo and group exhibitions, including the Venice Biennale in 1976. This is the passing of time visualized through a contrapuntal freezing of it.To flick through Kawara’s timestamps is to frantically search for some vague semblance of yourself; to scramble for a single date that, while it may have fallen victim to the passing of years, remains urgent still. My mom remembers watching it live on tv, going outside to look at the moon, visible in the daylight, and marveling at the fact that human beings were up there at that very moment.


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